Sedona Rose is a singer-songwriter from Washington State whose music blends pop, rock, folk, and soul-influenced storytelling. A self-taught multi-instrumentalist, she learned drums, piano, and guitar during her formative years and began writing original songs at just 17. Early in her career, Sedona found mentorship and encouragement from Pat Monahan, lead singer of the Grammy Award-winning band Train, who helped inspire her to pursue music professionally. Since then, she has shared the stage with Train numerous times across the United States.

Sedona has been featured as a solo artist aboard Train’s music festival cruise, Sail Across the Sun, on three occasions, performing original material for audiences from around the world. Her songwriting is influenced by artists such as Tom Petty, Fleetwood Mac, Ed Sheeran, and Noah Kahan, combining heartfelt lyrics with memorable melodies and an engaging live presence.

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Based in Seattle, Sedona fronts her band Sedona Rose & the Thorns, a tight-knit group of musicians who bring her songs to life on stage while also delivering high-energy, crowd-pleasing performances across the Pacific Northwest and beyond. Together, they have performed at venues throughout Washington, California, Colorado, Nevada, and Idaho, with frequent tours through Northern California, including the Napa Valley and San Francisco Bay Area.

In addition to her original project, Sedona is also a member of 13 Til Midnight, a Taylor Swift tribute band that celebrates Swift’s catalog with authenticity, musicianship, and high-energy performances. Whether performing original music, leading her full band, or honoring iconic songs audiences love, Sedona Rose brings passion, professionalism, and connection to every stage she steps on.

 

 

“Through her accessible songwriting, clear and controlled vocals, and her willingness to put in the hours of work necessary, the future is exciting for Sedona. It’s odd to think about because sharing the stage with a band as big as Train would be a reasonable definition of success for a musical artist, but for Sedona that was only the beginning.” (Julien A. Luebbers, Spokesman Review 2021)